Music:
Johann Sebastian Bach
Costumes:
John Rawlings
Lighting:
Jennifer Tipton
Date First Performed:
March 1, 1975
Notes: An esplanade is an outdoor place to walk; in
1975 Paul Taylor, inspired by the sight of a girl running to catch a bus,
created a masterwork based on pedestrian movement. If contemporaries Jasper
Johns and Robert Rauschenberg could use ordinary “found objects” like Coke
bottles and American flags in their art, Taylor would use such “found
movements” as standing, walking, running, sliding and falling. The first of
five sections that are set to two Bach violin concertos introduces a team of
eight dancers brimming with Taylor’s signature youthful exuberance. An adagio
for a family whose members never touch reflects life’s somber side. When three
couples engage in romantic interplay, a woman standing tenderly atop her
lover’s prone body suggests that love can hurt as well as soothe. The final
section has dancers careening fearlessly across the stage like Kamikazes. The
littlest of them – the daughter who had not been acknowledged by her family –
is left alone on stage, triumphant: the meek inheriting the earth.
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